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Help for Saxonia l Help selects the menu Scroll pages with arrows up and down Change next/previous article with arrow left and rbFight, enter to select, there's a bar in the bottom telling article name and number. You can type in the article number you want on the numeric keypad To load an article, press return or enter Deletekey brings up this help Musicselection is done with the F-keys as described in the modulepage which is reachable by pressing space. You can also use the icons on the panels for the appropriate functions. Quit the mag with escape You can choose from the following modules by pressbQ!sing the F-keys : F1 - Tribute To Miles F2 - Rauha Thanks to Rastaman for providing me with these modules b00350082seil-280-82.raw Wrong article selected. ~~~~~~~~~~~~~~~~~~~~~~~ You tried to load article number There is no such article, sorry. 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v?cu{o$<N ?'|}?n+8/?w}?lx?~9}߲b{}ho>w>^#o>K|}(g~Ooe?xBom;b˰;0g ?x;b<ywLBs O)>"d``sPs DC@<``NC/aWod8 x/a@87!<e@A?O`8_?h0@'t8(/p(=a ~u+@,S2CC4wP` ~rc N8{0 `\s< 8cO>c@|? N9_4o0`_>`J>(@, s0`i|3ׇ:W[>` @`ӹ<+|G;އ0>A,~x0 R ۹`Ok??oh'?X1Fs׹_Kk?vA^m?G|@0s{/~><p?8< 1s;=K?~g_?8@@8`s   S!@_wa  }M]dfB[ readme.txtpXt}Well, finally the new issue of Saxonia is out, released 9.th of August 2006! Fuck, the powercompanies destroy our most beatiful lakes and waterfalls to make electrisity, still they manage to come up with a poweroutage when I need electrisity the most, ie when putting this together. Fuck the powercompanies Damn, good having said that, now, load the mag and enjoy -=- Rumrunner  9bB[014pI>3What's the point in having the fastest computer By Rumrunner/VOID l b00200060votenow-160-60.raw Some day, I took a peek at the readmefile which accompanied the Fake Electronic Lighshow from Ephidrena. Here, Loaderror tells that he was a bit sceptic when he heard that Amigademos were to compete with pcdemos at The Gathering. He speaks of Amigas as "guttercomputers" and overall giving the impression that pc is a much better computer. Right, it's truř "e that pc's are faster than most common Amigas, if people ever left that Windows operatingsystem alone, it could perhaps even be called a fast computer, but that's another issue. What I'm heading for here is why do sceners need such a fast computer, and what's the big problem competing with demos for faster computers than your own? I hardly think that you need a very fast computer in order to make a fine demo. We have several examples of this, just look at the old demos released on s0DAmiga 500 and you will find that in effects and sometimes even design, these were much better than any of today's demos. Names like Andromeda with D.O.S, Sequential, and not to forget Nexus7 should prove this. I also think that there's a lot impressing which has happened and still do on the Commodore 64, although I must admit that I sadly haven't been able to follow that scene closely. If I just got a way of connecting a C64 diskdrive to my Amiga, I would gladly download more 64-pro+E5ductions, copy them to read C64-disks and watch them on my C128D. So, I think that it's still the ideas that decided whether a demo is good or not, not the hardware you run it on. It's rather the other way around, the faster computer, the more boring demos get. Just take a look at today's pcdemos. Almost all of them contain nothing but 3d-graphics. The makers are getting tired of painting textures, so they shove some text on their objects, and release a demo with the same 3d-effects{5N shown over and over again, just with another texture (text) on it, and do nothing to push the computer to it's limits. This was once the big thing on the demoscene, you were to tweak out every possible effect on as few rasterlines as possible. Today on the pc-scene, who will ever see what their computer can do before they buy a faster one? What I like the most here are perhaps the 256 byte intros, which seem to have become popular on the pc. They have interesting effects, but ofcourmnse no music and little variation. What makes these productions more enjoyable than most other demos on pc is that the effects are more varied. And ofcourse, putting an effect into 256 bytes should alone be credited as impressive. There are not many intros like this on Amiga (256 byte that is), and there are several reasons for this. It's among other things loadhunks that take more room on Amiga. Although I have not seen much intel assemblycode, it seems that pc-people also still can ʱۙorg their code (I guess it's remapped to another adress upon loading), they can set up a screen by making an exeption after a couple of lines of code and so on. So, this is perhaps a field where pc-people have an advantage, although there have been made 256 byte intros on Amiga, for instance you can take a look at Eurochart 44, there you will find both a 256 byte intro and the sourcecode for it. Take your time to read the appropriate article in the mag too, where there's a lot of thitlnking showing that some people still have their imagination left. Having said that about the 256 byte intros, from here it goes downwards with the pc. As said, almost everything is about 3d-graphics, boring as that is. Also, the coders are not the only ones who have a (too) easy time on the pc-scene. I wonder who handpixels their images the way it should be done. I myself have never been a good graphicsartist, and with the programs available on pc, I would be an even worse one. Ther kpe are no programs dedicated to handpixelling images, atleast not any I have found. I have also wondered sometimes when I have downloaded a pc-demo and taken a look at the files. Sometimes the music is a regular mp3-sample (because that's what these files really are, crunched samples). I then wonder what the musician has used to make the tune. I don't have anything against synths and other musical equipment, but atleast when you have a module, fourchannel or multichannel, I have a mo vDre certain feeling that this is the work of the musician and not a rip. It might be all programs like Magix MusicMaker and the likes which have got me sceptic, and I might have no reason to be so, but this is how the case is. So, to sum up shortly, I think that there's a lot more to demoscening than owning the fastest computer or computertype. If I want something fast, I would rather go for a Pro-Modified car for dragracing. It's shit expensive but so are pc's if you need to upgrade R\ them all the time, no matter how much cheaper it is now compared to before. aEZB[017pMikrobi by Moods Plateau Reviewer by Rumrunner/Void l This intro reminds me of several productions. First, the funky tune that lasts through the whole intro reminds me of music from productions by Abyss. Also colourchoices and design in some cases remings me of demos coming from that group. Effectswise, I like this intro alot. It has very little 3d-effects (if any) which ofcourse is a good thing. 3d belongs to Doom-alike games, not productions on the Amigascene. And while I'm on t;Lhe topic of effects, the guys in Moods Plateau seems to have the same opinion as I as to what kind of effects should an Amigaproduction have. I even saw a kind of reverse floodfill which I really liked. You can also find resizing cubes in the intro, they are used for everything from displaying chessfields to names in the greetingspart. Circles also make up a ball, it reminds me a little of the interferencepart in both of the Ray Of Hopedemos from Majic 12. Another issue one can disH$cuss till death is how long should each part show on screen. This intro suits me well at this point, none of the effects are shown too long, this makes for an intro that's enjoyable watching more than once. I cannot think of anything more boring in a sceneproduction than 3d-effects showing for what feels like about half an hour, then seeing almost the same effect shown with some other graphics. Mikrobi is a fairly short production, which I think is good. Moods Plateau shows the effe[cts they wish to show, then end the production. There's no point in wasting time, so it ends when what's interesting is ended. All in all a decent production. aB[007pՈrNew Void homepage By Rumrunner/VOID l b00340104void-272-104.raw Well, it finally happened, I have now got adsl at home. So now, there's a Void homepage to be reached at http://rumrunner.mine.nu/_void. That's not all, there's also an ftpserver at the same adress where you can download Voidproductions and other sceneproductions. I also offer to spread other groups' work here, just note that the line's not of the fastest kind, so downloads will take somĢle time. I'm also running both a newsserver and ircserver here, the newsserver contains groups for discussing stuff regarding the Amigascene and also other topics. Just take a look to se if it's something you're interested in. The ircserver is a local one, meaning it won't connect to other servers. That's the intended way of having it, I would like a server where the right people can meet, without being bothered by uninteresting things. NOTE : As of releasing this mag, I'm switching" server, from a desktopcomputer to an IBM Netfinity 5500 M20 server, intended for such purposes. It features scsi hardwareraid, ide softwareraid and I'll use it both for purposes on my local net here at home and also for services to internet, so there's alot to set up and I don't know exactly when everything will be available again. Also note that I'm running a filter effectively stopping people from places known for "hacking" (well, it's too lame stuff they're doing, can't really call that hacking, newertheless, it's unwanted traffic), so if you cannot connect to rumrunner.mine.nu, send me a mail and I'll correct the filters. In that case it's more certain than not, it's just being a little too effective. T B[027p}'Yet more mysteries By Rumrunner/VOID l When I coded the first issue of Versus, the chart made in cooperation between us in Void and Nukleus, I came across a rather strange (or perhaps not so strange) phenomenon. Well, it all worked good until I added some music. What happened was that once in a while, the computer crashed. I lost no code, as I'm used to save everytime before running changed code, something every assemblycoder soon learns to do. What was strange was that when addinVg some code, the mag hung upon exit, even if the code wasn't run. Adding other code that did run fixed it until yet more code was added and so on it went. Well, I had to find out about this one before doing much else, since it was almost impossible to work with the code. The mag ran fine, but the crash and guru entered upon exiting. Finally, after looking through my interrupts and whatever was run outside, I finally found the bug. I use the old ciamusic.s Protrackerreplayer which LWars "Zap" Hamre coded back in the good old days. It seems that this player messes up some bytes after the module. It doesn't always occur, that's what's strange. I haven't looked into the replaycode, but my best bet is that perhaps some calculations fail when the module is not longword-aligned (it's always word-aligned ofcourse). You know, it's always fun to find solutions to a problem that takes less rastertime, and when it works when you work with it, you don't think about such problems. Since Versus is a production running from file, it can be allocated into whatever memory the operating systems finds, ofcourse separated by sections demanding certain types of memory (chip or fast), so my problem should not happen all the time, since it's not very likely that it will be loaded at the same position all the time. However, in my case, ofcourse it was loaded at the same position, when the computer first hung, I loaded the same programs again from the start, so thޠe same memoryareas were free. Well, the problem was easy to solve when I first found it, I didn't bother looking into the replayerroutine, I really don't like to change code that has been with us for so long. What I did was simply to reserve some bytes right after the module, and this magically solved the problem. Having found out that, I also found out that this was the very same thing that caused the Christmas Intro I once released to hang sometimes. Strangely enough, I have the {Mgfeeling it doesn't happen so often there, but why wonder when a simple blk.b (dcb.b if you prefer DevPac) solves it all? j[B[020p᫓VJokes Collected by Rumrunner/Void l Well, we need some jokes this time aswell, so let's start off with one about the norwegian prime minister : How do you get Jens Stoltenberg down from a tree? - Cut the rope around his neck -=- - Do you know how to save Jens Stoltenberg from drowning? - No - Excellent -=- What did Jens Stoltenberg say to Bjarne Hkon Hansen when they met in the halls of the office building? - You can't get to sleep either? -=- You are on a horse, gallopingRY at a constant speed. On your right side is a sharp drop off, and on your left side is an elephant traveling at the same speed as you. Directly in front of you is a galloping kangaroo and your horse is unable to overtake it. Behind you is a lion running at the same speed as you and the Kangaroo. What must you do to safely get out of this highly dangerous situation? (answer below) Get your drunk ass off the merry-go-round! -=- &4B[013p&The public domain companies By Rumrunner/VOID l b00430112sax-344-112.raw When loading an old diskmag, I read the text on the startupscreen telling public domain companies how to distribute the mag. I started thinking about this for a while, and came up with something I wanted to share with you. After the idea of publishing freely distribuable software came about, it didn't take long before people started wanting to earn money on this, and so companies"- started to distribute software, taking prices that more than covered the distribution cost, which was the idea of the concept of free software. Public domain, shareware and freeware, although beeing different in some aspects, all fell into the claws of the commercial world. Ofcourse, there were some enthusiasts that did want to spread the software without earning money from it, the most known to Amigapeople might be Fred Fish, who built up an impressive collection. But, to judge frt(om articles in the mag which dealt most with this topic, Grapevine from LSD, it seems that such companies were the exception instead of the rule. Thinking back I remember a catalogue which I still think I have somewhere. It came in the mail sometime in the late eighties, and the prices were not the ones expected when this was supposed to be freely distribuable software (freeware and public domain) and "try before you buy" software. The prices could be upto a couple of hundred kroner Ў(about twenty pounds) for a couple of disks. Since this company had specialised in pc-software, the disks were also in the 5 1/4 inch format, which was common at that time. Now, everybody knows that disks were more expensive at that time, but not that much. Also keep in mind that the postage was lower, and you soon find out who sat with the biggest profit, it was certainly not the coder. Right, when bbs'es became more widely used, the public domain companies lost much of their custonmer-base as these got other ways to get the same software. Modems were expensive and so were calling the bbs in question, especially if it was not a local one, but it seems that many people still preferred to let the telephone company and the modem-makers to get the money instead of the pd-companies. There were still people left though that distributed software by mailorder, and this also included "our" (the scene's) productions. That's the reason why demos (for instance Desert Drea饹m from Kefrens) and diskmags (like Grapevine from LSD) had special notes in to describe rules and/or frighten off pd-companies from benefiting on others work. Now, for many people pd-companies were the only way of getting productions and them wanting to pay for it means that they must truly have been interested in the scene. But we all know what happened a bit later. Internet arrived for everybody and suddenly it was no use ordering from a company anymore. People got used to get on 6)Gan ftpserver and download the stuff they wanted and/or download it directly from the homepage of the makers of the wares in question. Let's think for a minute about how the state would be if there were still pd-companies about. For all I know, there might still be some, but I have never heard from them in years. Even though they have taken illegal benefit in other people's works, there was one good thing that could come out of it. The companies could market the products and spread t^?hem to people who perhaps wouldn't have seen for instance a demo from what we know as the scene. Today, it's most likely that pd-companies wouldn't spread files on disks, instead they would use cdroms. I remember all too well the first years after cdroms became available for pc. In addition to the occasional encyclopedia or moviedatabase, most cdroms (often sold in sets of 12) contained perhaps 5 megabytes worth of files. After that time, the pc-market has found ways of occupying mor ҂ original quote 'Computers will take a big part in the future.' It seems he was right. My Dad was a locksmith and I should never use my hands in order to earn money. That was the reason behind. I have been in groups like Looker House, Arcade, Altern and so on. Well, I don`t really remember 'em all. I complety stopped all scene activities in 1999 when I start &2Tjed a drug career with a friend of mine - another reason was the depressive Amiga scene, where everyone just talked about the 'dying Amiga scene'. From that point I attended techo partys every weekend and mixed different chemicals like LSD, shrooms, amphetamine and all the other party "utilities". After a short two week break in apsychiatry, I recognized that it can't be the sense of life amd stopped all this shit. I had to reorganize my whole life, but fall into a heavy weed problem 'w* for seven years. Last year I met Slapshot again and got a link to Boondocks. I just wanted to do after all the years some Ascii again - just for fun. And the story continued until now. I had left Aerosol after releasing "asl-neu.txt" and revitalized my own group named "aridweed". Ghandy: Wow! Thank you for being so honest and revealing us the background of your story. Please tell us, what's so fascinating for you speaking about the Scene. Vouck: I know many people which woul (.6d write here giant philosophic stories about the funk, the feel, the flavour of the scene and the experience they got from the scene. Well, nothing against philosophy but current scene is just a point where I get at least some fun in my life. That`s all. When I was some years younger, I thought that was the main point of my life but today it`s just great to find some older and also a lot of newer friends. Ghandy: Your crew Arid Weed brought a lot fresh wind into the rusty Ascii S )|S cene on the Amiga! How did you manage that? Vouck: Slapshot told me that Cubon is also interested in Ascii art and I just asked him if he wants to join. First I was scared about all the pc sceners but now it`s just normal, Amiga lost the war it seems, but ... hmmm Amiga has won because Amiga sceners had and still have attitude compared to the biggest part of the pc scene which just consists of wankers or wannabes. Ghandy: What is so special for you when it comes to Ascii? Why do  *.ڈ you do this, why don't you paint f.e. with a graphics program etc.?? Vouck: Why do graffiti artist paint on wall ? Because they simply want it! Ascii is currrently an old "dead" art and I`m still living sometimes in history. Ghandy: I know the feeling pretty well, too well. Who were the Ascii artists that did influence you, that you adored? Vouck: Definitely Mogue and H2o, Tommy and Nup. Also 2Fast and Neurodancer. Ghandy: Speaking of the Amiga demoscene, how came that you a +lso joined Drifters? Vouck: It`s a rejoin. I met Jesus/Drifters at MS2K-1, I was high on LSD and he was totally drunk and we had a great weird talk. Clary appeared and after that we had some great talk and she explained me her crew and we agreed that drifters needed an ascii artist. That`s all :D Ghandy: Btw.:I heard rumours your crew is working on a demo for Breakpoint, can you confirm that? Vouck: Really ? I am just an ascii artist, I have no clue about demo. I just move stupi ,,w d slashes and dots. :D Ghandy: As you might already know, the Drifters demo did came out! But let`s move to other topics. Do you plan to buy new Amiga hardware like an Amiga One or Pegasos? What do you think about the next generation Amiga hardware? Vouck: Do you know the sequel of Kill Bill ? It sucks ... the first movie was the best imho. It`s the same with Amiga. Ghandy: You told me you're working at Dell. What are your hobbies beside computing? Vouck: Ascii and my Girlfrie - knd. At the weekend I booze or smoke some weed. That`s my life. I rather prefer to not use the machine at weekends, I am a little fed up with pc. The machine is just a machine there is no soul inside. Ghandy: No doubt about that! At the end I'd like to invite you to greet your friends, having left the Scene or not, the more the better! Vouck: Clary Ami_Trsi Tommy Nup DMG Abho Dipswitch Zaner Trash Cubon Elend Zorro Eskoner (Trivial) Slapshot Neurodancer H2o Mogue Irokos Don Rapel k`lo Acehigh Gencha Alien Yool Zemra SpeedDevil Zack Ghandy Digiman Spots ... damnit I always miss to greet a lot of people. Please excuse my low brain if i forgot you. Thanks for wasting your time to listen my history. Last note: In case you`d like to check out their releases, move your browser to http://aridweed.untergrund.net !! ./Y3210/lB[000p.0PoFirst words By Rumrunner/Void l b00200098saxonia-160-98.raw Welcome to yet another issue of Saxonia, several years after the last one. Things do tend to take time sometimes. Doing most of the work alone, with a little help of a few dedicated people makes for delays when I'm not motivated to do anything. Well, since the last time, Void hasn't been completely silent, we have released the demo Voids Are Back In Town, in order to celebrate t.1<3%en years of Void and twenty years of Amiga. This ofcourse implies that this demo was released last year, in 2005. I just made it, the 31.th of December, the demo was out. Also since the last issue, things have happened to the code in this mag. There's now the possibility of using the mouse for certain operations. Likely the graphics has changed, with new panels from Browallia who also has provided me with more cliparts. Things have also happened on other areas of our life. The comm.2ie bastards known as Arbeiderpartiet has once again have taken over control of Norway from the psyco cult known as Kristelig Folkeparti. Today, petrol costs 12,57 kroner a litre. I'm getting pissed only thinking of it. First, those who still works in Norway gets punished for doing so by means of high taxes. Then, anything that's fun, tastes good or make you have a good day of any kind is either forbidden or taxed to death. Damn, if it wasn't for Vinje and Tinn's beatiful nature which.3Lt! I cannot live without I'd move to the southern states in USA, drive around in a pickup with a shotgun in the rear window and never ever even think about getting back here. I have also lately finished school and I'm now looking for work. Preferably I'd like to work with programming in one form or another. I was close to getting work in company that's closely located to where I am, but didn't get it in the end. Well, that was mostly working with asp.net anyway, and this isn't really .xDmy cup of tea. However, it would have been a start. Well, it's just a matter of continuing to look out, and something will come up I hope. So now, flip to next article and continue reading from there. 45d_765B[028p46=qM Tired of Carving in Sand? Do something that Last Forever Instead! RESPONSIBLE CREW Menthos - Co Editor, also chief editor of the Magazine 'Amiga Zine' Cefa - Co Editor and spanish master. New owner of A4000 060. Browallia - Main Editor, arrogant, but friendly... huh? ying and yang? :COWS:AND:SNA + a new BIG Better and Bitter issue! ::::::::::::K - improvements and innovat47ions! www :::::E + 4 hQ interviews as usual! .nukleus :::::F - adding a gallerypart (World premiere!) .se :::::I + suprises and disappointments /cns ::::G ::::H magnus.andersson@explizit.se ::::T browallia@amigascne.org ::::S juan.orellana@spray.se Still intrested in supporting the Powerful Amiga Team Anno 2006? Then send your Articles and Music by mail or use our online formula! The lo4D.zngawaited issue will smash the Earth! But feels like 7:th heaven! 89Q>=<;:9 B[029p8:Last words By Rumrunner/Void l This issue of Saxonia has with no doubt been the hardest to finish. Not because each task is intensely demanding, more because of the lack of support. I'm getting tired of trying to release a mag more or less on my own, with a just couple of people who helps me. What I miss most is articles from different people. I write most myself, then Ghandy and Browallia gives me a couple of articles. Hell, the three of us might aswell just send a couple of mail8;s back and forth, then we even wouldn't have to bother about getting music, spending time putting a mag together, getting cliparts, checking if everything works and so on. I can tell you all right now when the next issue will be out. There are two possibilities. Either people keep sitting in their chair, needing a crowbar to get their finger out of their ass, not doing any kind of support, in which case the next issue will be when I see the need for it to tell a story. That might be8<* the next month, the next year or the next decade. I'll not search high and low for topics to write about. The second possibility is highly unlikely to occur. If people manage to send me about 4-6 articles, I'll fill in with what I have (I write when I feel like it, not when deadline gets close) and release. I have a hard time seing this scenario becoming true. People are too busy wasting their sparetime leaving messages on pouet instead of doing work they can be proud of. There's 8=4/one thing I cannot say enough, if you have made a module, want to make cliparts, have spent some time writing an article or whatever, you can contact me even if I haven't announced a deadline for next issue. I will never announce such. The scene is a sparetimeactivity and I work with it when I feel like. Perhaps I have finished lots of things, just waiting for the last few bits and pieces. In that case, why should I announce a deadline when the possibility of me losing motivation and8>cf% not finishing the work is highly present? The best way to stay motivated is seeing other people wanting to contribute. It's not hard. For anything, you can contact me at rumrunner@sensewave.com So, back to when the next issue will be released. I just came across news (atleast they were news to me, I don't know how many others have seen it) looking very interesting. I'm going to look more into this, and, if it turns out to be worth it, release the next Saxonia when this work is fini8wshed. Don't expect a full mag though, I will, as said, not do a single thing to get music, more cliparts and so for this issue. ?@eBA@B[003p?AQYet another update By Rumrunner/Void l b00220090figur-176-90.raw Again, the code is updated, this time there are even mousecontrols present. And just look at the great panel we've got this time, thanks to Browallia/Nukleus who, trustworthy as he is, delivered the goods when nobody else took an interest. You may wonder though, why you cannot select the articles by mouse. There's a simple reason for that, the routine I made didn't quite work as I wanted it to, and I'm tir?B;$.ed of messing about with this code for now. It works, and people so lazy they cannot be bothered to use their keyboard for those functions are most likely to never do anything for the scene anyway, so I really don't care. Those who are interested should have no problems navigating around though. I plan to continue working on the code later, adding article- and moduleselectorsupport by means of using the mouse, and I have also thought about adding an ahx-replayer. This depends howeve?Og r, I have no time to make the music myself, I already have way too much to do at the moment, so if I don't get any feedback that you're interested in supplying us with ahx-tunes, I won't bother supporting it. It's all up to you. CD^GFEDB[006pCE@8Formatting the article By Rumrunner/VOID l If you want to format your own article, this is how to do it. Put an escapesign (ascii 27) in front of the command and then : To get a line on screen, like the one above, use the l command. To change colours, simply use 0 through 2 To insert a picture, first convert it to raw format, then use the following : b11112222filename Where 1111 is the width of the picture in bytes and 2222 is the height of the picture in lines. Filename is CFGL_where you put the name of the file. It's important that you use four digits all of the time, or else it will not work out. For instance, if the picture is 10 bytes wide and 40 lines high, use 00100040. To change the colourpalette according to the colours used in the picture, use an iffconverter to save out the colours separately (don't save them in the picture), and then load the file into an assembler. Change all of the dc.w's so that the first colour is the one written to colour fiCGFEve ($dff188, referred to as $0188 in the dc.w list). Cut out the one written to colour0 ($dff180) through colour4 ($dff186), as these colours are kept unchanged all of the time. Now, you should have twelve colours in the list. The next step is to remove all of the colourregister, so you only have the colourvalues left. Assemble this and write out the file with the same name as the picture name, just add .f at the end. The file should be 24 bytes long. Remember to use four bitplanes aColl of the time, or else the picture will most likely just look like a mess on the screen. Right, that should be the most important to think of, in according to keeping the lines shorter than 75 characters. One more thing though, for all of the commands except the drawline command, you need to put a space at the end, if not, you will lose the next character on screen (for instance if you have changed colours) and the code will not find the correct filename for pictures. Have fun H I*UTSRQPONMLKJIB[023pHJQ/X and windowmanagers By Rumrunner/VOID l We all know and love the Workbench on our dear Amigas. The situation is quite different in unix. It's all textmode, and even though single programs can open their own graphicsscreen, almost none does. To get a graphical gui, you need X. This is a set of routines that does almost everything, except managing windows and giving you a blowjob. So, in order to move windows, close them, and flipping through them, you need to run a windowmanager HK0RLon top of x. There are several to choose from. One named twm comes with x. It mostly sucks. What you get is a frame around your windows, and you can pop a window to front by clicking in it or on it's titleline. You can press the left mousebutton to get a menu, for instance for starting programs. That's about it, no icons, background- pictures or the likes. Next, there are windowmanagers like mwm and fvwm, which is basically much of the same stuff. I have never liked any of them. ThHL ere's another windowmanager that goes by the name of Amiwm, which tries to look like our Workbench. While it might do a decent job in some areas, it's far from usable. You can iconify windows, and you have the topline from Workbench, but you cannot get icons for starting programs from, or entering directories, atleast not in any usable fashion. Also, it default makes the active window the one under your mousepointer, which irritates me. You have to write a file named .amiwmrc in yourHMsI homedirectory and put : 1 focus : clicktotype0 in it to get the default handling of Amiga's Workbench. Kde, the K Desktop Environment is a windowmanager and much more. It can do most everything, you have icons, backgroundpictures, and kdeprograms speak to eachother in quite a decent fashion. However, this is all written in c++, so it's dead slow. About the only times my computers use virtual memory is when running kde (or ofcourse some javashite). You also cannot install justHNzB parts of kde in a decent manner. Kde itself spreads the code which you have to compile in several archives. Kdelibs gives you all the libraries you need. Then, kdebase gives you all the necessary stuff, like the windowmanager, a filemanager, kdm (a graphical loginmanager) and lots of other stuff, among them some texteditors. If you need some networking tools, you can install kdenetwork, and so on. It's been a long time since I used kde as a windowmanager, and I doubt if I ever will HOG do so again, I have found better alternatives. However, I still have kde installed because of some of the programs. The thing is that the kde filerequester can open and save files on remote computers easily. If you want to reach a computer by ftp, you can simply type 1 ftp://username@computer.com0 in the pathfield, and then select the file you want to edit or whatever. You can also reach computers by scp, using fish://username@computer.com. For instance when writing php or similaHPJr, this can come in handy to quickly change code on a remote computer. Gnome is in many areas similar to kde, but it's faster and you can choose what you want to install in a much easier way. The gnomefolks themselves separate gnomeplatform and gnomedesktop. Gnomeplatform is mostly libraries and programs strongly associated with them. This is the stuff you need to run most programs, since almost everything except the programs that comes with kde uses gnomelibraries for filerequesterHQ߾w|s, pulldownmenus, buttons and whatever. If you also want the windowmanager, you will find the stuff you need in gnomedesktop. And like said, you can install the parts you want/need for other programs. Gnome also seems faster than kde, perhaps not so strange since it's not c++, but rather pure c. Ofcourse it's not assemblerspeed, but faster is better even though it's not vastly faster. One thing that really pisses me off with gnome is it's filerequesters. It only shows files with naH R,mes where the letters are in utf8-format. I never use utf8, and so, if I use , or in the filenames, these files doesn't show. It's possible to set an environmentvariable to force the requesters to use other charactersets, but I don't like having to do so. I could ofcourse use utf8 all the way around, but it would irritate the shit out of me using two bytes to save letters in filenames which could have been saved using one byte. I have chosen to use the windowmanager named EnligH SAhtenment. This can do most of what you want to. You can use theme to make it look the way you want to, personally, I currently use Ebench, which gives me windowborders and controlbuttons similar to Workbench, both in looks and placement (I strongly hate having the closebutton on the right side of the window). Other popular themes are macos themes, it seems there are alot of them out. The only thing I don't like about Enlightenment is that you cannot chose to select active window by H T Ϲclicking in it without it popping to front. If you prefer to automatically activate the window your mouse is over, you don't have to let it pop to front if you don't want it to. There are sadly no icons in Enlightenment, but I solved that with a program called idesk. You have to run it when you start your windowmanager, either as part of your startupscript or by hand. You can use whatever pngimage you want to as icon, and they don't have to be the same size, this is the first time IH K4 have seen that possible on anything besides Workbench. The icons are purely for starting programs, and you cannot use them to enter a directory, atleast not without starting a filemanager for the selected directory from it. Except from that, it's quite nice. There are lots of other windowmanagers, like xfce, waimea, blackbox and fluxbox, but none of them have impressed me much. Oh, all the things we don't have to worry about on Amiga. U V$Cba`_^]\[ZYXWVB[022pUWi3Unix and texteditors By Rumrunner/VOID l On the Amiga the choice of a texteditor is fairly simple. Both CygnusEditor and GoldEd is up to every imaginable task. On Unix I have yet to come across an editor I really like. There are basically two kinds of editors available on Unix. There are the ones for your regular tty (80*25, 80*50 and whatever), and those for X. Some also works in both environments. You have an editor named nano that runs in textmode, which is fast and easy if yoUXW 0u just need to type in some lines of text. However, it lacks features like copy and paste. You can cut a whole line and then insert it, but that's all. You can also use a program like gpm which gives you a mouse on your textmode console, and enables copy and paste. However, it doesn't always work decent. Ofcourse, we have the common editors like vi, vim, and elvis, which are useless. They work in two modes, commandmode and editmode. Depending on version, patchlevel and whatever, youUYU start (usually) in commandmode, and have to type the letter i to be able to insert text, but hold on a second. In some of the said editors, you first have to mode to the line and place in line where you want to enter text, since moving with the arrowkeys change from insertmode to commandmode. Most of these editors also require you to change from insertmode to commandmode (by pressing escape), before you are allowed to delete text entered on another line. In other words, if you noticUZe a typing error two lines up and move there with the arrowkeys, you have to enter commandmode to delete the errors, if the editor doesn't change to commandmode when moving. Some people say that you can work faster with this type of editor than others, since you for instance can use letterkeys to jump around in your text once you're in commandmode. That's pure shite if you ask me, pressing escape, then moving with the letterkeys, then pressing i for insertmode is nowhere near as fastU[y as using the arrowkeys. And even if it was, I would never become used to doing that. Where do you find a keyboard without arrowkeys by the way? I've never seen one. And I don't care if arrowkeys doesn't work with telnet if you're on this and that computer, and the remote computer where you run the editor is this and that model with whatever shite running. I edit my texts on the computer I'm sitting infront of. Some of these editors also have graphical modes (for use in X). There's U\x gvim, kvim, and also a vimpart for use in the regular kde-editors. Neither of them are any better than the textmode ones. Kde, the K Desktop Environment has alot of editors. There's kedit, kwrite, kate and some others meant for special purposes, like writing webpages and stuff like that. Note though that all of these editors use the same basic editor and just add buttons and gadgets, and perhaps some more functions. Kate works decent, it handles several files at a time, it has syntaU]Zrx- highlighting for those who find that important, and, as every graphical editor, they support copy and paste. Another nifty function is that you can set marks in your text and jump from mark to mark, just like in Asm-One. What made me too mad about the editor to use it in the end was the autoindenting. I like editors having some kind of autoindent. The Asm-One editor is perhaps the best. It indents to where you started writing at the previous line, and if you press enter without enU^{Qtering anything on the new line. It stops indenting and also remove the tab on the empty line. CygnusEditor also does a good job, it keeps the indenting from previous line if you hold down alt while pressing enter. What kate and the other kde editors do is to indent everything to the closest line above where you have some text. This means that if you have finished a paragraph, pressed enter once, removed the indent and then press enter again, it indents to where you started your textU _ two lines up. This got me so pissed that I only use this editor for converting between lf and cr/lf linebreaks nowadays. If I really need to use a textmodeeditor, I prefer one named le. It can only have one file open at the time, but you have the possibility of marking, copying and pasting text, and you can also use this editor as a hexeditor, if you start it with le -h. The hexeditingpart is fairly nice. After a while, I have started to use the editor Emacs. If you have ever run U ` memacs coming with WorkBench3.1, you know some of what it's about, however, Emacs has more functions. The biggest drawback with Emacs is that it's big and slow, however not as slow as kate if you don't run kde as your windowmanager. Strangely enough, it's faster in X than it is in textmode. There are some things about Emacs also that pisses me off. If you name a file #?.c, #?.s and the like, it uses some autoformatting on the text, I almost didn't recognise my own code. What I did aU a,bout this was to find the directory where Emacs stores it's modes, and renamed the directory named progmodes to shittyprogmodes or similar. I lose autoindent but atleast I recognise the code I've just written. There are also strange keycombinations to do things in Emacs, for instance, for opening a file, you press control-x control-f, then enter the filename or press enter to get a directorylisting. You save with control-x control-s. To close some of the opened files, you enter alt-U bx kill-some-buffers. If you want to mark text, you start the markarea with control-space and move to the end, press control-w to cut, alt-w to copy, and when you want to paste text, you do it with control-y. The marked area, doesn't change colour like in CygnusEditor, but it does if you mark it with the mouse, which also is possible. If you mark text with the mouse, and don't cut or copy it, you can also paste it into other programs by pressing the middle mousebutton where you want tU Ghe text entered. You also have to paste into the editor from other programs this way, as it doesn't use any other common clipboard, supporting control-c, control-v and the likes. Well, atleast it works. cdcfedB[018pceGDTopic introduction By Rumrunner/Void l I got the idea of selecting a topic which I hoped several people would write about in this issue, much almost like we saw in last issue of Cows'n Snakefights. I wanted a personal view on this topic and sent a mail to several people asking them to write about what they would think the scene would have looked like today if it wasn't for some of the old legendary productions and the people behind them. In the mail, I mentioned things like the Ancf=dromeda demos, with design that's still untouched in it's thoroughworkedness, the Red Sector Megademo with the first hardware trackloader and so on. As expected, not many did reply to this, I got one article in return, which is featured as the next article in this mag. Browallia again came to the rescue and wrote about his thoughts on the situation. Other than that, all I got was the following quote, which is quite interesting : 1 Without groups like Kefrens, RSI, Coma, Rebels, c etc. I propably wouldn't have joined the amigascene and still be a part of it..0 (Quote from Mice/Zenon) Already in this, we can see that the old ones had a big impact of the scene and what is has become. Read on to see Browallia's views. ghjihB[001pgi-& Credits l Code - Rumrunner/VOID Music - Rastaman Panels - Browallia Graphics - Browallia, Malmis Trackerpackerreplayer - Crazy Crack/Complex Articles are written by : Ghandy Browallia Rumrunner I wougX.ld like to sincerely thank those who have supported me. Sometimes I feel like it's no use releasing any more issues of Saxonia, at those times such support is really appreciated. To all those who could have contributed but didn't, thanks for nothing! j k/utsrqponmlk'B[021pjlgICQ : adult flirt on low level ==================== written by Browallia/Nukleus Communication: the oral way for colorizing our purpose to live among others. Which doesn't mean it's a simple task. Even more basic is it show emotional expressions and making sound, which has been around since the first caveman dropped his stone on his big toe. After a little ICQ-chat, I realize Im not far away from this caveman. I couldn't speak, and how to use expressions such as smilies, when you jmXDdon't know its purposes? A pitty. A good way of communication, is defintly not overrated! I can't tell I'm a frequent user of ICQ, nor a fan of it. But still having this process running in the autostart directory. Most people I've met are familar with spanish word such as 'Hola' . Poor Browallia this wasn't enough, which you'll soon discover. Later on, Cefa/Nukleus was sticking his spanish nose in this article aswell. But he seemed to have some problems too. Afterall, spanish and pojnrtuguse were not an 1-to-1 match ;-) . Some fellows, for instance Leunam/Network may enjoy this espanol lecture. And hopefully my spanish teacher is not reading this. Back to ICQ, and communication. I have nothing against a little flirt, but this was a bit too hard, even for my hardboiled ego. Of the laws of secretess, I can't reveal her name. But lets call her Mujer Beate. The chat starts with an anonumous ping, a flashing note-ICQ tray, somewhere, echoing out on the laptop stationjovǸnated in my appartment... 1 << PINGeLINGeLING >>0 2 Mujer Beate (01:41 PM) : 0 ol! (Hi!) 2 Mujer Beate (01:46 PM) : 0 oi (Hello!) 1 Browallia (03:30 PM) : 0 hi! que tal? (Hi! How are you?) 2 Mujer Beate (02:22 AM) : 0 ol! (Hi!) 1 Browallia (02:22 AM) : 0 hi! I know you? :-) 2 Mujer Beate (02:23 AM) : 0 falo somente portugus (I only speak portugues) 1 Browallia (02:23 AM) : 0 me no espanol :-( (me no spanish: Yoda starwars, I am :)) 2 Mujer Beajp.T te (02:23 AM) : 0 Infelizmente (unfortunatly) pero entendo o escrito em espanhol (men jag kan frst och skriva spanska.) Sou Brasileira (Im Brazilian) 1 Browallia (02:24 AM) : 0 ingles? (english? (hello, anybody??? pleaaaase!!! :)))) 2 Mujer Beate (02:25 AM) : 0 no 1 Browallia (02:25 AM) : 0 aah :-( ok 2 Mujer Beate (02:25 AM) : 0 vc vive onde? (Were do you live) 1 Browallia (02:26 AM) : 0 que me ICQ numero? (Here, I wanted to ask, how she got my ICQ number?jqv I intended to say "why you got my ICQ number" ;-)) 2 Mujer Beate (02:26 AM) : 0 sim 1 Browallia (02:26 AM) : 0 sim? (post note: SIM = Simple Instant Messenger, multi protocol, with support for ICQ, Jabber, MSN etc..) 2 Mujer Beate (02:27 AM) : 0 fiz o ICQ e busq (not even Cefa know what this means, sorry :-)) algum para adicionar (something like this: add me to your ICQ) apareceu o seu nome (so will your name appear) 1 Browallia (02:28 AM) : 0 tu una chica? (are yojr=Дu a girl?) 2 Mujer Beate (02:28 AM) : 0 mas no sei adicionar pessoas (we think this sentence says: but no additional persons (?)) no, tengo 56 anos e Vc? (no, Im 56 years (shit!!) ) 1 Browallia (02:29 AM) : 0 ah, si.. Me no chica . Me no espanol/portuguse (ah, okey, Im no. girl. no spanish or portuguse) 2 Mujer Beate (02:30 AM) : 0 vc de onde? (where are you from?) 1 Browallia (02:30 AM) : 0 vc? (hey lady, I don't understand u, can u please stop those portuguse shjs)/ortcuts.. please!!) 2 Mujer Beate (02:30 AM) : 0 voc. Tu es de onde? (you. From where are you?) 1 Browallia (02:32 AM) : 0 Soy Europa (I am European) 2 Mujer Beate (02:32 AM) : 0 tu homem ou mulher? (are you a man or woman?) 1 Browallia (02:32 AM) : 0 que? (I dont undertand, what?, and then I rapidly changed subject...) que hora in Brasilia? (and now, my best sentence: how much time is it in Brasilia? ) 2 Mujer Beate (02:34 AM) :0 man ou woman? 1 Browallia (0j tK2:34 AM) : 0 man 1 Browallia (02:34 AM) : 0 me 28 Anos (28 years (Im just like half of her age then hehe)) 2 Mujer Beate (02:34 AM) : 0 Brasil:23:34h 1 Browallia (02:34 AM) :0 Europa 02:34 2 Mujer Beate (02:35 AM) : 0 mui tade (how late) Boa Noite (something like: 'welcome night') v dormir (go sleep (yea mom! :))) 1 Browallia (02:36 AM) : 0 me dormir? si (I should sleep? yes..) 1 Browallia (02:36 AM) : 0 tu fumar? (I wanted to ask if she smoked :-) this maj usvy be wrong interpretated, and definetly a bad timing for this conversation :) 2 Mujer Beate (02:36 AM) : 0 muito tarde (its very late) 1 Browallia (02:36 AM) : 0 que? (why?) 2 Mujer Beate (02:36 AM) : 0 no (answering smoke question above) tu fumar? (you smoke?) 1 Browallia (02:36 AM) : 0 no 2 Mujer Beate (02:36 AM) : 0 bom (good) 1 Browallia (02:36 AM) : 0 me comprendo muy poco (I understand very little) hasta la vista :-) (baby) 2 Mujer Beate (02:37 j CAM) : 0 hasta la vista beijos (hasta la vista, kisses) 1 Browallia (02:37 AM) : 0 ciao Brasilia! Encantada! (nice to meet you) 2 Mujer Beate (02:38 AM) : 0 ciau post note: If I met her again? No, I have to refresh my spanish a bit, and probably grow up first ;-) vwD~}|{zyxw B[009pvxe Comment by Breakpoint Mainorganizer Scamp/Vacuum: I'd like to clear up on a few misconceptions inside this article. First of all, I'd like to remind the fellow readers of the following fact: Breakpoint is looking for Amiga Sceners to join the Organizing Team for years now, yet nobody has applied. It's a shame that the worlds biggest demo party with tons of great Amiga releases still does not have an Amiga scener actually running the Amiga compos. Year after year, wvywLe have to find a PC scener who accepts to do the Amiga compo even if he isn't himself active on that platform (anymore). And after the party, that organizer gets constantly bashing as a thank you for doing anothers scene work. This sucks. As you know, this year Chaos who used to be an Amiga scener in the past had taken over this job, simply because he was the only one in our competition team with decent clues about the platform. He should not have voiced his personal opinion about avzVn entry while being the organizer of that compo, and he got clearly told about this mistake by the rest of the Breakpoint team. But still: Without chaos there would have been no Amiga Compos at all, simply because there would have been nobody skilled enough to RUN the Amiga compos. Chaos enabled the Amiga Compos to take place at this years Breakpoint, and he deserves some respect for doing that. I didn't speak with Chaos directly yet, but I assume after this bashing this probably wasv{{ the first and last time he was willing to do the Amiga compos. So, the Amiga scene now has about 10 months left to get their act together and get someone to exchange the fun of being a BP visitor with the hard job of being a Breakpoint Compo Organizer, getting beaten up on the slightest mistake one makes. Next topic. I don't know what Shifter has to do with the whole issue (he is not a BP organizer and probably simply wanted to tell Ghandy that he sucks, rightfully), but oh well. Lv|BHet's get this straight for Ghandy: Breakpoint does not have its roots in the "Symposium" parties. The same applies to Mekka. Breakpoint was created from scratch by someone who has never been an Organizer of Mekka or Symposium - me. I've never been an Amiga scener, but come from the C64, and I've never visited Symposium. Our 40+ people organizing team consists of just one person who used to be an Symposium organizer - and that's Chaos, who you currently are bashing. So, let's make thiv}e\s clear: We don't owe the Amiga Scene or Symposium or anything related shit. There are no roots, got it? We love the scene, and we love all platforms of the scene. We are very happy that the Amiga scene is so active releasing at Breakpoint, and that's why we are supporting it as good as we can. As we are receiving lots of positive feedback about Breakpoint from the real Amiga scene, we also try not to take Ghandy's rants in JP too seriously so they don't damage the reputation of thev~+ Amiga scene inside our big organizing team. Conclusion Have a look what the C64 scene did to improve their stand at Breakpoint - several C64 sceners joined the Breakpoint Organizing Team for 2006, and it did magic! So, I again ask each and every Amiga scener reading this: If you happen to live in Germany (or very close to it), and can afford spending 7 days around Easter for helping the Amiga scene getting more support at Breakpoint (there still is a LOT that could be done, like Semvͅinars, see the C64 scene), please join the Breakpoint organizing team! scamp -- scamp@untergrund.net - http://www.scamp.de - B[011ph_RWays of begging written by Browallia/Nukleus ============ b00240036nothteonlyone-192-36.raw Recently I wrote an article in Jurassic Pack #15 entitled "dedication to writers". This is the follow-up in the poor man's land. It's about the editor 1 who is so poor that he can't even pay attention.0 But when he does, don't expect we are doing it in the same way. All words using here are freely made interpretations of the chiefs in house. So I'm not using statements of someone. However, the core of the messages remains but uttered from my unsealed lips. They are made in no specific order, but I start of coz to interpret the hotelier where this piece of document is to be published. Its time for me to climb inside the body of... Saxonia (interpretation of Rumrunner) ------------------------------------ Howdy! This is Rumrunner rumbling on the keyboard. 1 I have one more attention to the Amiga folks:0 More support would be nice. VOID will D?not forget you. Now happy writing and hope you will find the inspiration! 2 Comment:0 Here it was important to me to empasize how much Rumrunner works alone. Second, he is not making the big call for article support, which may explain his acts by requesting something.. Somehow his art reminds me on cool scroller texts. This is indicated in his solid presence in his expressions.. ...and now squeeze myself into: Eurochart (interpretation of Darkhawk) ----------------------------CM--------- You can support us, but please do not send any filler articles. We also don't want any none-scene nor nonsence articles. Hope we didn't scare you away! Now send in your support asap! ;-) 2 Comment:0 You should support and you should do it in a proper way, aka the "correct" way. That was my main thing and most significant I wanted to demonstrate here. Also I wanted to show that EC is scarying people away from supporting because if you are complete newbie in diskmag writi ;ngs, you will get little respect here. The begging art is rough but demanded, but sometimes trying to signal a nice tone, with an winky smiley attached. A wolf dressed in a cousy sheep-pyjama? ";-)" Darkhawk gives you a taste of controlled guidelines and less freedom in writing, which should be seen as an opposite pole to Cows n Snakefights art of begging. 1 While CnS can publish an article only intresting for 3 persons, EC wants articles intresting for the masses.0 Thats two difV!ɦferent mentalities we believe in, so good or bad I can't tell, only inform about. ...and now lets melt-merge together with: 7 Days (interpretation of Greg) ------------------------------ All articles about amiga news, PPC, MOS and AOS are highly important. Send in if you know something of importance such as amiga news or an tutorial. Rumours and scenetalk less intresting. The more articles you send, the better for you :) 2 Comment:0 First of all, this was hard to analyse, sincKe my minimum skills in polish, and so far I have just got a few articles translated which isnt much flesh for getting a good shape how this is working. Still wanted to include the 7days with the others, how I guess this works out. In 7days, it doesnt only exist a quantitative competition, also how many kilobytes are important (Kbs are counted in a issue-chart). Just like Saxonia, 7D didn't make much buzz before its released. Its more up to the outsider to trace the mag. 1 Generelly yin polish diskmags, help is never offered open, but you get it if you ask for it,0 and you will get help until you solve the problem. This is nice. Thats why I put tutorials as a main thing they're requesting. I came up with the conclusion that rumours are less needed and wanted to describe this with a small short line. Why? Because polish people belong to the most honest ones in the world! Telling you what they think, so if you are not aware, they may hurt your feelings :) They si N7mply say what they think... so less need or space for rumours within Seven Days. ...and jump into the dino-dress as: Jurassic Pack (interpretation of Ghandy) -------------------------------------- I'm sitting here in my wet pants, so take a seat and join the new joyride! This dinosaur can't wait so join the club and give your article/graphic/music to me. This baby will come out! now!! Oyeah! fast!!! Oyeah! 2 Comment:0 dino-Ghandy is expressing in a complete different way when  oThe is doing his "call of duty". First he wants to assure us the relaxed situation, then he uses a lot of exclamation marks for persuading us. Third 1 his fancy begging style reminds me of a a seller,0 trying to convince us to buy a product. Even if Ghandy is quite experienced in the diskmag scenia, it doesn't matter which level of experience you are in writing style. He's taking no skills for granted. But this friendly side is not that easily detected. What really piss him off, is kop a broken promise when article is not comming at all. Much worser than by the other diskmags stated here. Ghandy counts on you! ...and tongue kiss salivia exchange /yuack!/ with: Speed/Magic Moments (interpretion of Magic) -------------------------------------------- If someone wants to support us, I definetly forgot to tell you. The reason why you should support us? Well we are a cool group (no joke!! we are still alive!! its not a rumour!!) with a golden past. So write us your  \@article for joining the tops in the hall of fame!! 2 Comment:0 Just like in Jurassic, Magic is expressing with a lot of exclamation marks for convincing us that its heavy stoff he is yielding out. In the last years, I haven't seen that Magic pleads for support. He is more like making spotlight-adverts (ie: small drops but intensively) and wait and see if someone is fishing after his bate. Checking where the wind blows with no further actions. 1 Perhaps he is too proud? Perhaps h  e is too carefully0 for taking the risc from start to endpoint? ...and cyber-browwwse myself inside: kubika.dk (interpretation of Adonis) ---------------------------------- We showed you that multiplatform scenemags on internet works... now you should show us. Everything of intrest, but it has to have with the scene to do or creative aspect of the computer. C64-, ZX-, Amiga- and PC-lovers.. All joining hands. Kubika will only be alive if you support it. 2 Comment:0 When I remad the K.U.B.I.K.A, I got the feeling that all support is welcome, but submit your reportage, stories etc from the areas where you are mostly skilled in. While Jurassic was more or less excusing themselfs for offering a PC-section some issues ago, such support is legal here in K.U.B.I.K.A. Also some parts of mentality is shared in Versus aswell, ie: we exist if you show an intrest for it, else we drop the project.. ...and back again to my own body: Cows n Snakefights (interpretatihon of myself) ------------------------------------------- Send us in everything, we would love to hear your anecdote, and your view of the scene! You are a part of the scene, thats why your story is important. You can even send in your "Browallia suxx" article to us.. Personal feedback is highly rewarded. My mailaddy can be found here and 1 +20 places more0 in case you missed it... ;) 2 Comment:0 I dont want to make sneaky advertising for NLS diskmag, so this is left without cTau omment, except for this gossip-sentence telling you nothing, absolutely Nothing!  #1&B[025p`uIntel assembler By Rumrunner/VOID l Ofcourse it had to happen. Since I started an informatics-course at Hyskolen I Vestfold, I bought first an old pentium2 to do some schoolwork on, then later a laptop, to make work at the schoolplace easier. Coming from the Amigascene and being a coder, I had to look into intelassembler after awhile. To put it short, I have never seen anything that ugly on computers before, apart from the Windows openingscreen. Let's start off brutally by compa ^ring some instructions : 1 move.b (a0),d0 (68000) mov al,[ebx] (intel) move.w (a0),d0 (68000) mov ax,[ebx] (intel) move.l (a0),d0 (68000) mov eax,[ebx] (intel) 0 Clearly the intelprocessor's instructionset was never meant to handle longwords, or doublewords as intel likes to call them. Having a register ax (wordlength) and referring to al for the low part and ah for the high part is something I can deal with, but when you have to also use e infront to make the proceJessor understand that you want the longword, it's too messy. What will happen when intelprocessors get registers of two longwords length? My bet is that they will throw in even more letters in the register names, instead of specifying length in the instruction. Moving on to comparisons : 1 cmp.b #4,(a0) (68000) cmp byte [ebx],4 (intel) cmp.w #4,(a0) (68000) cmp word [ebx],4 (intel) cmp.l #4,(a0) (68000) cmp dword [ebx],4 (intel) 2 The intelinstructionset should reZally have gone in the thrashcan long time ago if you ask me. You can work the intel way here, but it looks horrible. Also, in comparisons, I usually want postincrement. I have not found a way to do this with intelprocessors yet, and I doubt if it's even supported. d Where do you want your program to run? There are differences in the 68000 processorseries that make programs crash on other processors than it was written for. I'm not thinking of timingloops here, rather what you caXDn do in user and what you can do in supervisormodes. Once you get into this, there's really not much you have to consider, I for one have never had the need of writing to the statusregister in usermode on 020+. Look at the intelprocessors, and there's lots more to take into consideration. If you want your program to work on computers back to 486, you only have eight registers to play with : 1 ax, bx, cx, dx, si, di, sp, bp 0 If you use new registers introduced later, things wilWl go down the bog. It's on one hand excellent that intel introduced new registers, but even if you lost all compatibility, they should have come up with a new instructionset at the same time. After all, even though I like the instructionset on 6502, I don't need it on a longword-processor. d It is possible to do stuff if you want to, even on intel One of the first pieces of code I put together on intel was a cgiprogram for use with the apache webserver. Cgi is rather nice, you cavn write it in whatever you want to, from assembled/compiled languages to scriptlanguages like perl, python, and even yabasic. Php is the easy alternative today, but even though I like it in some areas, it's not quite speedy. Things take alot of time, and you shouldn't have to use a new huge computer to chuck out some simple dynamic webpages to people. I won't even consider shite like asp and asp.net here, since they are even slower than php, have ugly syntax, and mostly run on Windowy[lscomputers, even though you can run asp.net with the module from the mono-project for apache on unix. d Tools please Well, there are no decent assembler for intelcomputers, atleast not that I have found. The best is perhaps microasm for Windows, but that's out of the question since I don't run Windows on my computers. (Well I have a small partition left with the Windows that came preinstalled on my laptop, wonder when that was last booted). On linux/unix, you have two choices. Ei 6gother you can go for the gnu assembler called as, which comes preinstalled on most linuxes, or you can go for something like nasm. The gnu assembler has it's own syntax. You see, unlike the 68000-series, there's not just one way to write intelassembler. The gnu syntax is something like an "I wish I was an 68000" thingy. They have put length in the instruction, and also use source,destination instead of destination,source like intel likes to do. So you could change the examples above a IA( bit and halfway make it look like it's 68000-assembler. If you have ever written a line of assembler on Amiga or other 68000-computers, you will laugh however, it sucks perhaps even more than intel's syntax. By the way, the reason for making this strange syntax for intelopcodes is supposed to be because SystemV Unix used this syntax sometime. Then it ofcourse lives on in the unixworld, as much other stuff that should never be an issue. Nasm uses the regular intelsyntax, and works m 2Rtore or less as it should, that's the best I can say about it. It's a commandlineassembler, and as you know if you have read previous codingarticles from me, I don't like that. No easy debugging/singlestepping/tracing, memorypeeking/poking or saving parts of memory to file. Especially when you are new to a processor this is invaluable. I recently came across Yasm, another assembler that looks and works just like Nasm, however, it's a bit better. Atleast it doesn't chuck lots of junk  .ϛinto your files, like sections containing the name of the assembler and such. So files get a little smaller, and ofcourse I use it now, both to get smaller files and also so I won't have to edit my files with a hexeditor later on. Never will I accept that a junkassembler tucks it's name in my code. d^B[004pY.^False statements l The following are false statements about Void and also corrected information. Void has never released a 4k intro with the name of Bobshow, like seen in diskmags and also on internet. However, we have released a 4k intro called Bobshower. That's shower as in what you stand under and water runs out of to get you clean. It's not show as in something a rockgroup would present. Void's production named Voids Are Back In Town is not a dentro, it's a demo. I spotted this error in pouet.net. The same demo, Voids Are Back In Town was not released in 2006 as also stated on pouet.net. The demo was released in the evening of 31.th of December 2005. I don't write this to punish anyone, I simply write it to correct false information I have found, just like LSD did in Grapevine a long time ago. I will continue this in future editions of Saxonia, and also I will give other groups the opportunity of writing such articles for printing in the mag. Rumrunn ADer/VOID I'B[016pbDiskmag reviews By Rumrunner/VOID l Everybody should know me by now. I do exactly what I feel like. So while others think a diskmagreview is old because it's two months old, I will give reviews of much older magazines than that. I have lately come across some interesting mags, and I don't care that they are from 1990- 1991. So, let's start off. d Royal Information By Royal Amiga Force This is a rather strange mag. It doesn't look anything like the mags we know @d from today and yesterday. The articleselectorscreen is divided like this :1 ____________________________________ | | | Logo | | | |____________________________________| | | | | Menu | | | | Picture | | | | | | @r.> | |_________________|__________________|0 You select article from the menu using either mouse or arrow up and down on your keyboard. F1 and F2 changes modules. This arrangement looks tidy, but the small part of the screen which is dedicated to the menu makes it a little bit untidy, and it's a little hard to get the overview. But anyway, there's only 20 articles all in all, so you don't get lost. Upon selecting an article, the page is loaded and the whole screen isբo# dedicated to the text. This is nice and clean. What however is worse is that everything is written in uppercase. Without having disassembled the mag, I guess the graphician got tired of making fonts, and stopped after uppercase- letters were finished. The quality of articles are varying. My favourites among them are comparisons between Noisetracker 1.2 and 2.0, and an article about PowerPacker3.0, the first PowerPacker which wasn't free/shareware. There are also interviews which ar[ te interesting to read for people interested in scenehistory. The bad thing about the articles, except for being printed in uppercase only, is the spelling. There are lots and lots of spellingerrors, but hey, perhaps they wrote it after some strong drinks, like I'm used to. The modules in the mag are of decent quality. There are two of them to select from like already indicated. Dunno who made them since the mag don't give credits. The mag features cliparts, and they are big clipart֤Ws with lots of colours, this is perhaps the best about the mag. Ofcourse, since they don't keep menulines and other statusfields onscreen when viewing articles they have enough room to use big cliparts. This is perhaps one of the most advanced features of the mag. d #42 by Talent Well, this is a mag like we all know it. Upon startup, a statusline pops up at the top of the screen, and a menu at the bottom. The mainpart of the screen, is ofcourse dedicated Mto showing the articles. First, it's covered with a logo telling clearly the name of the producers, Talent. It reminds me alot of the way Raw did it most issues, except they usually had a picture from Fairfax with other motifs than a logo with the name of the group. (By the way, does anybody remember the picture with a man on a horse, looking at the Titanic lying in the mountains, I don't remember which issue it was featured in, but it's one of the best fullscreen cliparts I have see/n in any mag still today). Right, pressing the deletekey or clicking on "Menu" in the bottompanel reveals the articlelist. There's alot to choose from, from the compulsory creditslist to news and scenerelated articles. What first caught my eye was the series of articles about Andromeda. There's a complete list of mainproductions, and interview with Hydra and so on. It's excellent reading for those who like this group and it's style. Navigation in the mag is simple. You select artic =<;:9876543210/.-,+*)('&%$#"! 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